When it comes to pioneering television, few shows compare to the ambition and success of All in the Family. Created by Norman Lear, this sitcom tackled nearly every social issue of its time, from racial tensions and antisemitism to queer rights. The Bunker household, helmed by the kindhearted Edith Bunker (Jean Stapleton) and her politically incorrect husband, Archie (Carroll O’Connor), was a hotbed of social change and featured a slew of innovative characters, many of whom were spun off into their own series.
While characters like Maude (Beatrice Arthur) and George Jefferson (Sherman Hemsley) are rightly celebrated for their contributions to the show and their own respective sitcoms, one character deserving of more recognition is Beverly LaSalle (Lori Shannon). As one of the first drag queens to appear on American television, Beverly not only challenged Archie’s prejudices but also became a beloved recurring character. Over her time on the show, she gradually changed Archie’s outlook on the queer community, developed a close friendship with Edith, and was considered an honorary member of the family. Tragically, Beverly’s final appearance ended in such a heartbreaking manner that it caused Edith to question her faith. In true All in the Family fashion, this two-part episode went beyond shock value, delving into deeper conversations about sexuality, faith, and hate—themes that remain relevant today.
Beverly LaSalle: A Significant Step Forward for Queer Representation
Beverly LaSalle first appeared in All in the Family‘s sixth season in the episode “Archie the Hero.” After Archie saves a woman’s life by giving her mouth-to-mouth resuscitation during his overnight cab shift, he later discovers that the woman is Beverly, a drag queen in town for a gig. While Edith is impressed and kind to Beverly, the revelation shocks the closed-minded Archie.
Beverly’s appearance was more than a mere gag; it was a significant leap forward for queer representation on television. At the time, television often portrayed LGBTQ individuals, particularly drag queens, in a very negative light. According to SFGATE, Beverly LaSalle marked “the first time a television series had sympathetically portrayed a drag queen.” As History.com notes, the art form of drag was illegal in the United States throughout much of the 20th century, and it wasn’t until the Stonewall Riots of 1969—just eight years before Beverly’s first appearance—that such harsh punishments began to decrease. Queer characters were often depicted negatively or not at all on television due to the infamous Hays Code, which for decades portrayed gay characters as evil, conniving, and doomed to tragic fates.
From the moment Beverly enters the Bunker house, she is warm, fun, and thrilling—her zest and spunk serving as the perfect foil to Archie’s bigotry. Although some language used to discuss Beverly’s sexuality is outdated, the episodes featuring her character were progressive for their time and remain more advanced than many shows even today. Beverly’s second appearance in Season 7’s “Beverly Rides Again” solidified her place in the Bunker family, as she returned to celebrate the anniversary of Archie saving her life. Edith’s joy at seeing her again, and Archie’s semi-acceptance, made Beverly an honorary family member. Tragically, Beverly’s final appearance would challenge the Bunkers in one of the show’s darkest storylines.
Beverly LaSalle’s Tragic End
In the Season 8 Christmas special, Beverly returns to town for a debut at Carnegie Hall. While everyone is excited to see her, Archie remains prejudiced. Edith gives Beverly a special scrapbook, and they share a touching moment, calling each other sisters. However, the holiday outing takes a dark turn when Mike offers to walk Beverly to get a cab. Shortly after they leave, a neighbor informs the Bunkers that Mike and Beverly were mugged.
In his hospital bed, Mike reveals that a group of men attacked them with a lead pipe, and the assault turned even more brutal once the attackers realized Beverly was a drag queen. The doctor informs Edith and Archie that Beverly has died, leaving Edith shocked and heartbroken. Jean Stapleton’s outstanding performance as Edith grapples with the loss of her dear friend adds to the episode’s emotional weight. Gloria, Mike, and even Archie are deeply affected by Beverly’s death. Archie, who had previously been shocked by Beverly’s career and sexuality, admits he regrets not telling her how much he cared.
Edith Bunker’s Crisis of Faith
Beverly’s death profoundly impacts Edith, who struggles to reconcile her friend’s murder with her Christian faith. Edith’s internal conflict spans two episodes and addresses the coexistence of love and hate in the world. Despite speaking as though she still believes in God, Edith expresses doubt about His care for humanity. This two-part storyline prompts viewers to consider the enduring relevance of such struggles, especially within the queer community.
The show carefully avoids a neatly wrapped-up resolution. At Christmas dinner, Archie tries to help Edith regain her faith, but she leaves the table during prayer. Mike goes to comfort her, and Edith eventually returns, leading grace and expressing gratitude for her family. This complex ending respects the gravity of Edith’s loss and her ongoing struggle with faith and the cruelty that took Beverly from her.
A Legacy of Courage and Change
Beverly LaSalle’s life and death represent one of the toughest subjects All in the Family ever tackled. Her positive portrayal as a drag queen on television was groundbreaking, and her tragic end resonated deeply with both viewers and the show’s characters. Edith’s intense grief and loss of faith highlighted an important conversation about the coexistence of love and hate, a discussion that remains significant today. By refusing to offer a simple happy ending, the show honored Beverly’s legacy and the impact she had on the Bunker family and its audience.
All in the Family is available to stream on Apple TV in the U.S.
