It’s a testament to the unpredictable nature of show business that Sally Struthers, who gained fame as Gloria Stivic on the groundbreaking TV series All in the Family, faced significant challenges in her career following her departure from the show. Despite her success and recognition, including two Emmy Awards for her role as Gloria, Struthers found the post-All in the Family landscape to be less forgiving.
A Rising Star
In the late 1960s and early 1970s, Struthers was making a name for herself with compelling performances in films like Five Easy Pieces (1970) and The Getaway (1972), and lending her voice to the character Pebbles Flintstone on The Pebbles and Bamm-Bamm Show (1971-1972). Her talent caught the eye of Norman Lear, who cast her in All in the Family. However, the journey to that role was not without its hurdles. Struthers recounted how she was dismissed from The Tim Conway Comedy Hour, an experience that inadvertently opened the door for her audition for Lear’s groundbreaking show.
In an interview with Newsday, Struthers reflected on her dismissal, highlighting the irony that being let go for making the show “look cheap” was a blessing in disguise. “If they hadn’t done that, I wouldn’t have been free to read for All in the Family,” she explained.
The Evolution of Gloria Stivic
From 1971 to 1979, All in the Family broke new ground by addressing societal taboos with unflinching honesty. Struthers’ character, Gloria Stivic, underwent significant development throughout the series. Starting as a young woman exploring feminist ideals, Gloria evolved into a strong, independent individual by the time she and her husband Mike left the show for new projects.
Struthers’ portrayal earned her acclaim, and she continued to shine in TV movies like The Great Houdini (1976) and Intimate Stranger (1977). However, after leaving All in the Family, she struggled to maintain the same level of visibility. She briefly reprised her role on Archie Bunker’s Place and starred in the spin-off Gloria (1982-1983), but the series’ short run marked a shift in her career.
Broadway and Beyond
Struthers’ career took an unexpected turn when she embraced the opportunity to star in Neil Simon’s The Odd Couple on Broadway. Faced with a period of limited work, she accepted the role of Florence Unger out of necessity, as she explained to a television reporter. “It was the first work offered to me in a year and a half,” she said. “I needed and wanted to work so desperately… so I jumped at the chance.”
Despite the emotional challenges of going on the road and leaving her personal life behind, Struthers demonstrated resilience and dedication. Her Broadway stint was a testament to her enduring talent and commitment to her craft.
A New Chapter
As Struthers reflects on her career, now at 73, she admits the sudden shift from stardom to obscurity was a perplexing experience. “It’s the strangest phenomenon to be at the top of the mountain and the next day to be at the bottom,” she remarked, capturing the unpredictable nature of the entertainment industry.
In recent years, Struthers has found solace and fulfillment in the theater, performing in about 30 productions over the past two decades, including Mame, Irving Berlin’s White Christmas the Musical, and Grumpy Old Men. Her dedication to the stage has kept her connected to her craft and her audiences.
Moreover, Struthers has channeled her passion into philanthropy, advocating for impoverished children through organizations like ChildFund. Her work with the charity reflects a deep commitment to making a positive impact beyond the entertainment world.
Sally Struthers’ journey is a powerful reminder of the highs and lows of a career in show business. From her iconic role on All in the Family to her recent stage performances and philanthropic efforts, Struthers continues to demonstrate resilience and grace. Her story serves as an inspiring testament to the enduring power of passion and perseverance in the face of challenges.
