Norman Lear Made ‘All In The Family’ Writers Read Newspapers To Stay Updated For The Show

Norman Lear’s All In The Family revolutionized television by tackling social issues that were often considered taboo. CBS, anticipating strong reactions from the audience, went so far as to hire extra telephone operators to handle the influx of calls from upset viewers when the show first debuted.

Unprecedented Creative Freedom

According to show writer Bernie West, the team enjoyed a remarkable level of creative freedom in addressing controversial topics. “When you hear about other shows not being able to say this or that, it’s nice to be with a show where we can be as free as we are,” West remarked. This freedom allowed the show to explore subjects candidly and humorously, making them relatable and thought-provoking.

Candid and True-to-Life Storytelling

West further expressed his appreciation for the show’s approach to topics, treatments, and the latitude they had in making the narratives both funny and true to life. In Donna McCrohan’s Archie & Edith, Mike & Gloria: The Tumultuous History of All in the Family, it’s noted that the scripts were a collaborative effort, a rarity in television at the time. Story editor Michael Ross recalled that writing for All In The Family was more than just a job—it was a passion project for everyone involved. “Most situation comedies in Hollywood are 10-to-5 jobs for the writers. But on All in the Family, there is a kind of community effort. Everybody stays with it until the final moment,” he said.

Real-Life Inspiration

The show’s reputation for depicting real life meant that the scripts didn’t require much imagination—just a keen eye on the world around them. Lear insisted that all writers stay informed with current events for inspiration, often bringing in subject-matter experts to provide deeper insights for upcoming episodes. Ronald Brownstein, in his book Rock Me On The Water, confirmed Lear’s approach, revealing that the office was stocked with copies of the New York Times, Wall Street Journal, and Los Angeles Times. This ensured that anyone who missed something in the news could catch up, keeping the team well-informed and ready to tackle any subject.

Conclusion

All In The Family was more than just a sitcom; it was a groundbreaking force that changed the landscape of television. With its bold approach to sensitive issues, unparalleled creative freedom, and commitment to truth in storytelling, the show set a new standard for what television could be. Its legacy continues to influence and inspire, proving that humor and honesty are powerful tools for change.