As Broadway dims its marquee lights for one minute at 8 p.m. on Wednesday, June 5, the theater world will pay tribute to the late Jean Stapleton, whose unforgettable portrayal of Edith Bunker on “All in the Family” left an indelible mark on television history. The brilliance of Stapleton’s performance has been on my mind since her passing at the age of 90, stirring memories of the unmatched quality that “All in the Family” consistently delivered.
Rob Reiner, who played the role of Mike Stivic, once revealed the secret behind the show’s enduring excellence. It wasn’t just the pioneering vision of executive producer Norman Lear that set the tone—it was the high standards set by Stapleton and her co-star, Carroll O’Connor. These veteran stage actors demanded the best from themselves and everyone around them, creating an environment that mirrored the discipline of a Broadway production. Reiner recalled how episodes were shot with the precision and energy of live theater, with minimal interruptions, as if each week was an opening night.
Among the sitcoms of the 1970s, “All in the Family” and “The Odd Couple” were known for their disciplined sets, thanks to the influence of their Broadway-trained stars. As a result, “All in the Family” not only pushed boundaries with its bold social commentary but also became a masterclass in television performance. The Writers Guild of America recently ranked it among the best-written TV shows of all time, second only to a few iconic series like “The Sopranos” and “Seinfeld.”
While some aspects of the show’s writing may now feel dated, Stapleton’s portrayal of Edith Bunker remains timeless. Her performance is as textured and nuanced today as it was when the show first aired in 1971. In the hands of a lesser actress, Edith could have easily become a one-dimensional caricature—a “dingbat,” as Archie often called her. But Stapleton, with her decades of experience on stage, film, and television, infused Edith with depth, wisdom, and an unshakeable inner strength.
Edith’s gentle demeanor and seemingly confused nature belied her role as the glue that held her family together. Her character wasn’t just endearing—she was quietly powerful, standing firm on the issues that truly mattered. Stapleton’s portrayal was deceptively brilliant, bringing a subtlety and versatility that made Edith Bunker one of television’s most iconic characters.
Even after Edith, Stapleton continued to showcase her range, portraying Eleanor Roosevelt in a TV movie and touring the country in a one-woman show about the former First Lady. Yet, despite these accomplishments, there was no role that could surpass Edith Bunker. Stapleton’s decision to pass on “Murder, She Wrote” allowed Angela Lansbury to create another beloved TV icon, but Stapleton’s place in history was already secured.
As Broadway’s lights dim in her honor, we are reminded that nothing can diminish the comedic genius that Jean Stapleton brought to “All in the Family.” Her work continues to shine brilliantly, as dazzling now as it was over four decades ago.